Here are four of Gareth’s publications:
Heritage, G. (2019) ‘Gender inequality in metal music production’. Leisure/Loisir, 43:4, pp. 545-546.
Heritage, G. (2018) ‘Torment[her] (misogyny as an artistic device): Alternative perspectives on the misogynist aesthetic of W.A.S.P.’s “The Rack”’, in S. Holland and K. Spracklen (eds.) Subcultures, Bodies and Spaces: Essays on Alternativity and Maginalization, Bingley: Emerald Publishing.
Heritage, G. (2016) ‘Accept(ing) the other (Metallic[a]) hypermasculine image: Case studies towards an alternative understanding of hypermasculinity in the aesthetics of 1980s heavy metal’. Metal Music Studies, 2:1, pp. 57-68.
Heritage, G. (2016) ‘“It’s like a Mach piece, really”: Critiquing the neo-classical aesthetic of ‘80s heavy metal music’, in A.R Brown, Spracklen. K, K. Kahn-Harris, Scott. N.W.R. (eds) Global metal music and culture: Current directions in metal studies, New York. Routledge.
